2026 — Lectionary primer

The Twelfth Sunday after Trinity

Ephphatha: Be Opened

One-year lectionary  ·  Isaiah 29:17–24  ·  2 Corinthians 3:4–11  ·  Mark 7:31–37

The Twelfth Sunday after Trinity opens a new movement within the long green Time of the Church. By Luther Reed’s reckoning the Trinity season falls into four cycles, and this Sunday begins the third (through the Eighteenth), which turns the Church from the righteousness of the kingdom to the new life of righteousness that flows from it. The day’s readings set the promise beside its fulfillment: Isaiah foretells a day when the deaf will hear the words of the scroll, and in the Gospel Jesus speaks that day into being with a single word, Ephphatha, “Be opened.”

Lectionary Primer PDF

The shape of the service

Introit. Psalm 70 — “Make haste, O God, to deliver me; make haste to help me, O Lord.” The congregation enters as the helpless, pleading for God’s swift rescue.

Collect of the Day. The Church confesses that whatever true service His people render comes only as His gift, and prays to serve Him so faithfully now as not to miss His heavenly promises at the last.

Gradual and Color. Psalm 34 vows, “I will bless the Lord at all times”; the paraments are green, and the Common Proper Preface introduces the Sanctus.

Theme of the Day. Christ opens deaf ears and looses a bound tongue, the firstfruits of the new life of righteousness, and the crowd confesses more than it knows: “He has done all things well.”

The readings at a glance

Old Testament
Isaiah 29:17–24

Earlier in the chapter God indicts a people who honor Him with their lips while their hearts stay far from Him (29:13), and to such blind eyes the prophetic vision lies shut like “words in a sealed scroll” (29:11). Into that darkness verses 17–24 announce the Great Reversal. “In a very little while” Lebanon’s forest becomes a fruitful field, and the deaf hear the words of the scroll while the blind see out of their gloom: God heals more than the body; He heals the deaf and blind heart, unsealing His Word so it can at last be heard. The meek find fresh joy in the Lord, and the poor exult in the Holy One of Israel. Here the Septuagint turns a striking phrase: it renders “the poor among mankind” as hoi apelpismenoi ton anthropon, “those given up to despair,” naming the very people God means to fill with joy.

The ruthless tyrant and the mocking scoffer come to nothing, the false witness who ruins the innocent is cut off, and Jacob is no longer put to shame. His children, when he sees them, are called “the work of My hands,” God’s doing and not his own, and those who wandered astray in spirit are brought at last to understanding, a promise the Lord Jesus will speak into a deaf man’s ears in today’s Gospel.

Epistle
2 Corinthians 3:4–11

Paul will not let the ministry rest on human competence. Whatever confidence he has stands “through Christ toward God”; he is not sufficient of himself even to claim a single thought as his own, for his sufficiency (hikanotes) comes from God, who made him a minister of a new covenant (kaines diathekes). Then comes the great antithesis: this covenant is “not of the letter but of the Spirit, for the letter kills, but the Spirit gives life.” The letter (gramma) is the Law, carved on stone, which demands a perfection it cannot supply and so can only accuse and put to death. The Spirit gives life through the Gospel, raising dead sinners and working the faith the Law never could.

Paul presses the point from the lesser to the greater: if the “ministry of death,” engraved on stone, came with such glory (doxa) that Israel could not gaze at Moses’ shining face, how much greater is the glory of the “ministry of the Spirit” that justifies. The old glory was real, yet fading; the new glory, won in Christ, is permanent, and so far outshines the old that the old seems to have no glory at all.

Holy Gospel
Mark 7:31–37

Jesus crosses into the Decapolis, Gentile country, and the healing He works there preaches that His kingdom reaches all nations. The crowd brings Him a man who is deaf and mogilalos, a rare Greek word that means he could scarcely speak, rather than that he was wholly mute. The word matters: the Greek Old Testament uses it in Isaiah 35:6, where the tongue of the speechless sings in the age of the Messiah, so Mark is showing Jesus fulfilling that very prophecy. Jesus takes the man aside from the crowd, and since the man cannot hear, He speaks through touch: He puts His fingers into the man’s ears, spits, and touches his tongue.

Looking up to heaven, He sighs (estenaxen), the groan of the Creator over a creation gone wrong, and speaks one Aramaic word, Ephphatha, “Be opened.” At once the man’s ears are opened and the bond of his tongue is loosed, and he speaks plainly. The early Church so treasured this word that it kept Ephphatha in the baptismal rite, a prayer that God would open deaf ears to His Gospel. Though Jesus charges them to silence, the crowd only proclaims it the more, astonished beyond measure: “He has done all things well.” The words echo Genesis 1, where God saw that all He had made was very good, and so the crowd confesses more than it understands: the One standing before them is the Creator, come to mend His broken world.

The hymns and their stories

Opening Hymn
“Oh, For a Thousand Tongues to Sing”  ·  LSB 528
Charles Wesley (1707–88) wrote this jubilant, half-autobiographical text in 1739 to mark the first anniversary of his conversion, heading it “For the Anniversary Day of One’s Conversion.” The famous opening line did not open the poem at all: the original ran to eighteen stanzas, and “Oh, for a thousand tongues to sing” stood seventh, while our hymnal moves Wesley’s first stanza, “Glory to God, and Praise, and Love,” to the end. The thousand tongues came from a remark of the Moravian Peter Böhler, who told Wesley, “Had I a thousand tongues, I would praise Him with them all.” The image was in the air in those years, having also shaped Johann Mentzer’s German hymn “Oh, that I had a thousand voices” (LSB 811). First printed in 1740, the hymn later opened the 1780 Methodist collection under Praise and Thanksgiving, and it has stood at the head of Methodist hymnals ever since.
Hymn of the Day
“O Son of God, in Galilee”  ·  LSB 841
Anna Hoppe (1889–1941), the Milwaukee stenographer who wrote more than six hundred hymns and translations, is represented in our hymnal by this one text alone, though her contemporaries ranked her among the finest Lutheran hymn writers in the land. It first appeared in The Northwestern Lutheran in 1928 under the heading “Jesus Our Physician,” opening then with the line “O Thou, Who once in Galilee.” The hymn gathers the Gospel scenes in which Jesus served the afflicted in body, giving hearing to the deaf, speech to the mute, and sight to the blind, a fitting companion to the day’s account of the deaf man healed. The hymn’s confidence, that the same Lord who healed in Galilee still heals His people, holds it together across the leap from bodily healing to spiritual.
Hymn
“Soul, Adorn Yourself with Gladness”  ·  LSB 636, st. 1–5
Johann Franck (1618–77), a lawyer and town official in Guben, ranks among the greatest German hymn writers of the seventeenth century, second only to Paul Gerhardt, and he wrote this Communion hymn, Schmücke dich, o liebe Seele, out of the wreckage of the Thirty Years’ War. The German opens with schmücke, “adorn” or “deck out”: the soul is to do more than dress; it is to put on a festal garment of gladness and take its place at the banquet of the High and Holy One, where the Son of God gives Himself in the very substance of His body and blood. Catherine Winkworth made the English translation in 1858, but it did not match the meter of the German, so for her 1863 Chorale Book for England she rewrote the second half of every stanza to fit. The majestic melody is the work of Johann Crüger, first printed in the 1648 edition of his Praxis Pietatis Melica.
Closing Hymn
“Your Hand, O Lord, in Days of Old”  ·  LSB 846
Edward H. Plumptre (1821–91), clergyman, poet, and professor, wrote this text in June 1867 for King’s College Hospital in London, and published it the next year in his Lazarus and Other Poems under the heading “Hospitals,” over the words “Himself took our infirmities and bare our sicknesses.” The stanzas we sing recount Christ’s healing of the blind, the mute, and the lepers and His raising of the dead, the works by which He fulfilled Isaiah’s prophecies and showed Himself the Lord of light. The tune KINGSFOLD is an old English folk melody whose line goes back to a 1719 ballad about the pirate Gilderoy. Ralph Vaughan Williams brought it into the hymnal for the 1906 English Hymnal, naming it for the Sussex village where he had heard a Mr. Booker sing it in 1904; beyond the church the same tune carries the Irish song “The Star of the County Down.”